Monday, December 31, 2007
Friday, December 28, 2007
Thursday, December 27, 2007
Well, I finally got the second assignment finished!! It seems like it took me forever to get around to it due to the holidays, but here they are. Portrait mode was rather fun to use. I really like the effect! The two toys are ones that the dogs got for Christmas and I thought they were rather cute. LOL. The pink "thing" is a scarf that a friend made me for Christmas. It is so warm and soft - I just love it! It made for an interesting picture. The last photo is one of my ornamental grasses - I just love grasses and they look great during the winter too. Thanks for looking!!
Tuesday, December 18, 2007
Assignment #2
Lesson 2: Here we go with lesson 2… One of the most popular questions has been about aperture and f stops. This goes hand in hand with the shutter speed to dictate how much light reaches the film or sensor. We’ll cover shutter speeds later.
Aperture: The opening of the lens is like the pupil in your eye… if you look in the mirror in low light, your pupil will be dilated (wide open). If you then turn the light on quickly, your pupil will quickly close down to a small opening. This is your eye on auto mode controlling how much light is entering the eye. The same is true for the lens of a camera… the larger the opening is, the more light it lets in and the smaller the opening, the less light it lets in. The aperture itself is made up of several overlapping metal blades that work together to increase the size of the opening or decrease it. There are several size openings called “f stops”. The most common ones are f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and f/22. The part of this that can be sometimes confusing is the fact that the smaller the f/number, the larger the opening in the lens… f/2 is very large opening where f/22 is a very tiny opening. If you can think of it in terms of fractions, 1/8 is larger than 1/16, then f/8 is a larger opening than f/16. Every time you move from one f/stop to another, you either double or cut in half the amount of light that you have entering your lens. For example, if you change from f/11 to f/16, you just cut your light in half, and then to f/22 in half again… this is not as completely dramatic as it sounds (use the shutter speed with the change in aperture and you can completely control your light). Now, here is the really neat part about aperture… it really affects the way the picture looks in the end. With the smaller numbered apertures (larger opening), you get a blurred background. With the larger numbered apertures (smaller opening), you get a more clear background. When you see a close up picture with only a small section in focus (macro photography), then the photographer used probably f/2 or f/2.8. When you see the really nice landscape shots with everything in focus, the photographer probably used f/16 or f/22. Everything else sort of falls in the middle depending on how blurred or clear the background is.
Mastering Auto Modes: We are going master the auto modes first and work our way to the manual modes. This week, we are going to take a look at Portrait Mode. When you put your dial on portrait mode, you are telling your camera that you want to use one of the small numbered f/stops (which is a large opening which makes the background blurry). Your camera will probably choose anything from f/2 (if the lens is capable) up to f/4 or f/5.6. It won’t choose f/11, f/16, or f/22 because this will make the background clear which is used in landscape mode (we’ll cover that one later). I think that the really small numbered f/stops like f/1.8 or f/2 are used in macro photography (looks like you used a magnifying glass to take the picture). So, for this week, choose portrait mode and see how your camera reacts (if you are not sure which one on your dial is portrait mode, check your manual – mine is the profile of the lady – Nikon camera). If you are working in lower light, the camera will also choose to use a slower shutter speed… don’t be surprised by this. If the camera decides to keep the shutter open longer than you expected, you will probably get “camera shake”. Just use a tripod or place on a table or something to stabilize it. We’ll cover shutter speeds a little later. For now though we are trying to get a clear subject and a blurred background. This represents the lower end of the aperture scale. Have fun with your portraits this week… remember, anything can be taken in portrait mode… not just people. It’s just more of a close up and blurred background.
Aperture: The opening of the lens is like the pupil in your eye… if you look in the mirror in low light, your pupil will be dilated (wide open). If you then turn the light on quickly, your pupil will quickly close down to a small opening. This is your eye on auto mode controlling how much light is entering the eye. The same is true for the lens of a camera… the larger the opening is, the more light it lets in and the smaller the opening, the less light it lets in. The aperture itself is made up of several overlapping metal blades that work together to increase the size of the opening or decrease it. There are several size openings called “f stops”. The most common ones are f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and f/22. The part of this that can be sometimes confusing is the fact that the smaller the f/number, the larger the opening in the lens… f/2 is very large opening where f/22 is a very tiny opening. If you can think of it in terms of fractions, 1/8 is larger than 1/16, then f/8 is a larger opening than f/16. Every time you move from one f/stop to another, you either double or cut in half the amount of light that you have entering your lens. For example, if you change from f/11 to f/16, you just cut your light in half, and then to f/22 in half again… this is not as completely dramatic as it sounds (use the shutter speed with the change in aperture and you can completely control your light). Now, here is the really neat part about aperture… it really affects the way the picture looks in the end. With the smaller numbered apertures (larger opening), you get a blurred background. With the larger numbered apertures (smaller opening), you get a more clear background. When you see a close up picture with only a small section in focus (macro photography), then the photographer used probably f/2 or f/2.8. When you see the really nice landscape shots with everything in focus, the photographer probably used f/16 or f/22. Everything else sort of falls in the middle depending on how blurred or clear the background is.
Mastering Auto Modes: We are going master the auto modes first and work our way to the manual modes. This week, we are going to take a look at Portrait Mode. When you put your dial on portrait mode, you are telling your camera that you want to use one of the small numbered f/stops (which is a large opening which makes the background blurry). Your camera will probably choose anything from f/2 (if the lens is capable) up to f/4 or f/5.6. It won’t choose f/11, f/16, or f/22 because this will make the background clear which is used in landscape mode (we’ll cover that one later). I think that the really small numbered f/stops like f/1.8 or f/2 are used in macro photography (looks like you used a magnifying glass to take the picture). So, for this week, choose portrait mode and see how your camera reacts (if you are not sure which one on your dial is portrait mode, check your manual – mine is the profile of the lady – Nikon camera). If you are working in lower light, the camera will also choose to use a slower shutter speed… don’t be surprised by this. If the camera decides to keep the shutter open longer than you expected, you will probably get “camera shake”. Just use a tripod or place on a table or something to stabilize it. We’ll cover shutter speeds a little later. For now though we are trying to get a clear subject and a blurred background. This represents the lower end of the aperture scale. Have fun with your portraits this week… remember, anything can be taken in portrait mode… not just people. It’s just more of a close up and blurred background.
Assignment #1
EACH CAMERA IS DIFFERENT The basics of an SLR camera are pretty much the same; however, the menu items in each different camera and the layout of where to find things from different brands can vary. Our first step for this week is to become familiar with our own personal cameras again. This way, when we refer to things down the road, we each know where to find them in our own personal camera. So, if you can find them… please dig out your original manual to your camera and do a quick review this week.
Okay, that’s the dull part… here’s the fun part:
VIEWING LIGHT Because a camera is based on light, this week whether you have your camera with you or not, we should try to observe different sources of light and how they fall on different subjects. Theoretically, whatever we see, we should be able to photograph. So, take note of what lighting situations you are drawn to, observe what the light source is, where it comes from, which angle and which way looking at it seems the most interesting. For example, my cat was laying on my bed yesterday and the sunlight was coming through the window. Because it was coming in at a 45 degree angle and hitting him from behind, it caused his fur to “glow” around the edges. This would be interesting to photograph. Also, there are many Christmas lights at night for this time of year… As you look at your tree or lights in the snow, think of different angles that would be interesting to photograph from. As sun peaks through trees and creates long shadows on the snow, think about why that’s interesting… the sun is low in the sky and makes longer lines than midday. All in all, try to observe light, the source, the angle, and why it appeared interesting… even if you don’t catch it on film. Then, feel free to report back and post what you saw. This is to practice seeing with the eyes of a photographer.
Okay, that’s the dull part… here’s the fun part:
VIEWING LIGHT Because a camera is based on light, this week whether you have your camera with you or not, we should try to observe different sources of light and how they fall on different subjects. Theoretically, whatever we see, we should be able to photograph. So, take note of what lighting situations you are drawn to, observe what the light source is, where it comes from, which angle and which way looking at it seems the most interesting. For example, my cat was laying on my bed yesterday and the sunlight was coming through the window. Because it was coming in at a 45 degree angle and hitting him from behind, it caused his fur to “glow” around the edges. This would be interesting to photograph. Also, there are many Christmas lights at night for this time of year… As you look at your tree or lights in the snow, think of different angles that would be interesting to photograph from. As sun peaks through trees and creates long shadows on the snow, think about why that’s interesting… the sun is low in the sky and makes longer lines than midday. All in all, try to observe light, the source, the angle, and why it appeared interesting… even if you don’t catch it on film. Then, feel free to report back and post what you saw. This is to practice seeing with the eyes of a photographer.
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